98 bars of 4/4 at 120 BPM, about 3:04 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 4, 6 and 35-36, and 1 more place -- 6.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 24 times: bars 7, 14, 15, 21, 34, 38 and 18 more.
12 more fills are written out on the fills page.
98 bars across 19 sections: 42 keep time, 25 are fills, 13 are stops and 7 are silent. The longest unbroken stretch of time is bars 22-26.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 76 out of 100; the rest of the number is everything around it.
98 bars, about 3:04 at the written tempo. The course breaks it into 53 exercises over 15 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 24 times: bars 7, 14, 15, 21, 34, 38 and 18 more.