94 bars of 4/4 at 120 BPM, about 3:05 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 15-16, 18 and 55-58, and 1 more place -- 12.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 36 times: bars 4, 6, 7, 8, 9, 10 and 30 more.
13 more fills are written out on the fills page.
94 bars across 12 sections: 33 keep time, 36 are fills, 13 are stops and 3 are silent. The longest unbroken stretch of time is bars 33-37.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
94 bars, about 3:05 at the written tempo. The course breaks it into 45 exercises over 12 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 36 times: bars 4, 6, 7, 8, 9, 10 and 30 more.