170 bars of 4/4 at 110 BPM, about 6:02 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 41-42, 54 and 83, and 7 more places -- 7.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
25 fills to learn, played 81 times: bars 13, 14, 15, 16, 17, 18 and 75 more.
22 more fills are written out on the fills page.
170 bars across 17 sections: 44 keep time, 81 are fills, 11 are stops and 14 are silent. The longest unbroken stretch of time is bars 141-146.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
87 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 94 out of 100; the rest of the number is everything around it.
170 bars, about 6:02 at the written tempo. The course breaks it into 70 exercises over 24 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
25 fills to learn, played 81 times: bars 13, 14, 15, 16, 17, 18 and 75 more.