105 bars of 3/4 -- not four -- at 135 BPM, 2:20 of playing on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 25-32, 34 and 38, and 16 more places -- 28.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 fills to learn, played 4 times: bars 36, 48, 96 and 104.
105 bars across 6 sections: 67 keep time, 4 are fills, 16 are stops and 15 are silent. The longest unbroken stretch of time is bars 1-16.
135 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 23 out of 100; the rest of the number is everything around it.
105 bars, about 2:20 at the written tempo. The course breaks it into 14 exercises over 4 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 4 times: bars 36, 48, 96 and 104.