141 bars of 4/4 at 142 BPM, about 3:58 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10-16, 42-44 and 46-48, and 4 more places -- 22.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
23 fills to learn, played 54 times: bars 6, 7, 8, 9, 17, 21 and 48 more.
19 more fills are written out on the fills page.
141 bars across 15 sections: 45 keep time, 54 are fills, 25 are stops and 10 are silent. The longest unbroken stretch of time is bars 87-93.
142 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 64 out of 100; the rest of the number is everything around it.
141 bars, about 3:58 at the written tempo. The course breaks it into 51 exercises over 14 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
23 fills to learn, played 54 times: bars 6, 7, 8, 9, 17, 21 and 48 more.