67 bars of 4/4 at 137 BPM, about 1:57 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
The beat the song is built on is one bar, played through bars 17-23 and 25-31 -- 22.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 8 times: bars 12, 16, 49, 50, 52, 54 and 2 more.
67 bars across 8 sections: 37 keep time, 8 are fills, 10 are stops and 5 are silent. The longest unbroken stretch of time is bars 18-31.
137 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
67 bars, about 1:57 at the written tempo. The course breaks it into 25 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 8 times: bars 12, 16, 49, 50, 52, 54 and 2 more.