185 bars of 4/4 at 127 BPM, about 5:50 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-11, 13-15 and 21-23, and 5 more places -- 22.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 9 times: bars 25, 42, 43, 83, 99, 139 and 3 more.
3 more fills are written out on the fills page.
185 bars across 15 sections: 132 keep time, 9 are fills, 17 are stops and 14 are silent. The longest unbroken stretch of time is bars 53-73.
127 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 19 out of 100; the rest of the number is everything around it.
185 bars, about 5:50 at the written tempo. The course breaks it into 46 exercises over 12 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 9 times: bars 25, 42, 43, 83, 99, 139 and 3 more.