103 bars of 4/4 at 120 BPM, about 3:25 of playing, on crash, hi-hat, snare, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 36-42, 55 and 71-77, and 1 more place -- 23.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 3 times: bars 34, 50 and 94.
103 bars across 12 sections: 65 keep time, 3 are fills, 12 are stops and 10 are silent. The longest unbroken stretch of time is bars 72-85.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 67 out of 100; the rest of the number is everything around it.
103 bars, about 3:25 at the written tempo. The course breaks it into 34 exercises over 10 sittings, about 23 minutes each.
crash, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 3 times: bars 34, 50 and 94.