25 bars of 4/4 at 120 BPM, about 0:50 of playing, on crash, ride, hi-hat, snare, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 1-2 and 7-8 -- 16% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
25 bars across 3 sections: 20 keep time and 1 is a stop. The longest unbroken stretch of time is bars 1-13.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
25 bars, about 0:50 at the written tempo. The course breaks it into 9 exercises over 3 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.