233 bars of 4/4 at 144 BPM, about 7:25 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 57, 61 and 79, and 21 more places -- 19.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 39 times: bars 21, 29, 30, 54, 56, 60 and 33 more.
13 more fills are written out on the fills page.
233 bars across 21 sections: 118 keep time, 39 are fills, 1 is a stop and 52 are silent. The longest unbroken stretch of time is bars 136-156.
144 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
233 bars, about 7:25 at the written tempo. The course breaks it into 69 exercises over 21 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 39 times: bars 21, 29, 30, 54, 56, 60 and 33 more.