90 bars of 4/4 at 118 BPM, about 3:02 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 16, 18 and 20, and 17 more places -- 27% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 11 times: bars 5, 15, 26, 27, 41, 52 and 5 more.
1 more fill is written out on the fills page.
90 bars across 12 sections: 48 keep time, 11 are fills, 14 are stops and 1 is silent. The longest unbroken stretch of time is bars 69-78.
118 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
90 bars, about 3:02 at the written tempo. The course breaks it into 23 exercises over 7 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 11 times: bars 5, 15, 26, 27, 41, 52 and 5 more.