173 bars of 4/4 at 138 BPM, about 5:01 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 16, 18-19 and 60, and 11 more places -- 19.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 33 times: bars 12, 13, 14, 20, 24, 25 and 27 more.
13 more fills are written out on the fills page.
173 bars across 20 sections: 99 keep time, 33 are fills, 4 are stops and 18 are silent. The longest unbroken stretch of time is bars 90-100.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
173 bars, about 5:01 at the written tempo. The course breaks it into 63 exercises over 18 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 33 times: bars 12, 13, 14, 20, 24, 25 and 27 more.