91 bars of 4/4 at 114 BPM, about 3:12 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 43-49, 51-57 and 59-64, and 2 more places -- 27.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 19 times: bars 6, 10, 14, 18, 26, 30 and 13 more.
7 more fills are written out on the fills page.
91 bars across 7 sections: 55 keep time, 19 are fills, 7 are stops and 5 are silent. The longest unbroken stretch of time is bars 79-85.
114 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 13 out of 100; the rest of the number is everything around it.
91 bars, about 3:12 at the written tempo. The course breaks it into 29 exercises over 8 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 19 times: bars 6, 10, 14, 18, 26, 30 and 13 more.