90 bars of 4/4 at 124 BPM, about 2:54 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 29-45 -- 19.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 19 times: bars 8, 16, 24, 46, 50, 54 and 13 more.
6 more fills are written out on the fills page.
90 bars across 6 sections: 61 keep time, 19 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 29-45.
124 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in how often it moves around the kit. The beat itself is 2 out of 100; the rest of the number is everything around it.
90 bars, about 2:54 at the written tempo. The course breaks it into 28 exercises over 8 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 19 times: bars 8, 16, 24, 46, 50, 54 and 13 more.