117 bars of 4/4 at 128 BPM, about 3:39 of playing, on crash, hi-hat, snare, high tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 9-15, 17-31 and 43-49, and 1 more place -- 43.1% of every bar the kit plays. Learn that one and most of the song is already under your hands.
3 fills to learn, played 8 times: bars 16, 32, 42, 50, 66, 84 and 2 more.
117 bars across 9 sections: 62 keep time, 8 are fills, 26 are stops and 15 are silent. The longest unbroken stretch of time is bars 18-24.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
117 bars, about 3:39 at the written tempo. The course breaks it into 19 exercises over 6 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 8 times: bars 16, 32, 42, 50, 66, 84 and 2 more.