The beat the song is built on is a 2-bar phrase, played through bars 38, 42 and 46, and 3 more places -- 19.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
It is played on crash, ride, snare, high tom, floor tom and kick, counted in sixteenth notes. On its own it scores 21 out of 100 -- straightforward -- and the thing that decides that is how often it moves around the kit.
The whole song is 36 out of 100, so the beat is not the hard part: what costs you is everything around it, the joins and the fills.
The room opens this beat on its simplest reduction, at 150 BPM, and adds the notes back a rung at a time -- 3 of them. Nothing is a matter of opinion: each rung has a tempo to reach and a gate to pass before the next one.
Tempo goes 150, 175 and 200 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A 2-bar phrase on crash, ride, snare, high tom, floor tom and kick, in 4/4 at 200 BPM, counted in sixteenth notes. It is written out above, and it covers 19.4% of the bars the kit plays.
Bars 38, 42, 46 and 48, and 2 more places. The time is kept on the snare to start with, and it changes 12 times over the song.
21 out of 100 on its own -- straightforward. The song as a whole is 36 out of 100 -- a fair first song -- with how often it moves around the kit the part that decides it.