105 bars of 4/4 at 120 BPM, about 3:30 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-8, 12-15 and 17, and 5 more places -- 22.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 26 times: bars 16, 24, 31, 32, 40, 41 and 20 more.
4 more fills are written out on the fills page.
105 bars across 8 sections: 64 keep time, 26 are fills and 5 are stops. The longest unbroken stretch of time is bars 1-15.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
105 bars, about 3:30 at the written tempo. The course breaks it into 34 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 26 times: bars 16, 24, 31, 32, 40, 41 and 20 more.