219 bars of 4/4 at 120 BPM, about 7:18 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 45-51, 73-79 and 134, and 6 more places -- 13.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 6 times: bars 26, 27, 52, 60, 88 and 117.
1 more fill is written out on the fills page.
219 bars across 21 sections: 111 keep time, 6 are fills, 68 are stops and 15 are silent. The longest unbroken stretch of time is bars 135-145.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
219 bars, about 7:18 at the written tempo. The course breaks it into 56 exercises over 17 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 6 times: bars 26, 27, 52, 60, 88 and 117.