113 bars of 4/4 at 113 BPM, about 4:00 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 13-14, 18-19 and 21-23, and 15 more places -- 24.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 14 times: bars 12, 36, 39, 48, 60, 63 and 8 more.
4 more fills are written out on the fills page.
113 bars across 12 sections: 73 keep time, 14 are fills and 11 are silent. The longest unbroken stretch of time is bars 79-91.
113 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
113 bars, about 4:00 at the written tempo. The course breaks it into 34 exercises over 11 sittings, about 23 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 14 times: bars 12, 36, 39, 48, 60, 63 and 8 more.