127 bars of 4/4 at 122 BPM, about 4:08 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 13-18, 21-22 and 25, and 2 more places -- 10.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 50 times: bars 5, 9, 10, 11, 19, 23 and 44 more.
13 more fills are written out on the fills page.
127 bars across 13 sections: 60 keep time, 50 are fills, 1 is a stop and 3 are silent. The longest unbroken stretch of time is bars 13-18.
122 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
127 bars, about 4:08 at the written tempo. The course breaks it into 55 exercises over 16 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 50 times: bars 5, 9, 10, 11, 19, 23 and 44 more.