41 bars of 4/4 at 135 BPM, about 1:17 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 7-8, 11-12 and 15-16, and 1 more place -- 17.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 19 times: bars 5, 8, 10, 16, 17, 19 and 13 more.
6 more fills are written out on the fills page.
48 bars across 7 sections: 11 keep time, 19 are fills, 2 are stops and 9 are silent. The longest unbroken stretch of time is bars 1-4.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
41 bars, about 1:17 at the written tempo. The course breaks it into 24 exercises over 7 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 19 times: bars 5, 8, 10, 16, 17, 19 and 13 more.