129 bars of 4/4 at 120 BPM, about 4:44 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 20-23, 26 and 28-31, and 5 more places -- 12.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 15 times: bars 1, 5, 13, 21, 23, 29 and 9 more.
4 more fills are written out on the fills page.
134 bars across 18 sections: 70 keep time, 15 are fills, 8 are stops and 23 are silent. The longest unbroken stretch of time is bars 68-76.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 64 out of 100; the rest of the number is everything around it.
129 bars, about 4:44 at the written tempo. The course breaks it into 56 exercises over 22 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 15 times: bars 1, 5, 13, 21, 23, 29 and 9 more.