127 bars of 4/4 at 146 BPM, about 3:28 of playing, on crash, ride, hi-hat, snare, high tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2, 4 and 6, and 21 more places -- 21.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 14 times: bars 5, 9, 17, 33, 48, 49 and 8 more.
3 more fills are written out on the fills page.
127 bars across 12 sections: 91 keep time, 15 are fills, 5 are stops and 4 are silent. The longest unbroken stretch of time is bars 18-32.
146 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
127 bars, about 3:28 at the written tempo. The course breaks it into 33 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 14 times: bars 5, 9, 17, 33, 48, 49 and 8 more.