166 bars of 4/4 at 138 BPM, about 4:49 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 37, 41 and 45, and 26 more places -- 17.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 2 times: bars 100 and 108.
166 bars across 13 sections: 140 keep time, 3 are fills and 1 is a stop. The longest unbroken stretch of time is bars 6-30.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
166 bars, about 4:49 at the written tempo. The course breaks it into 45 exercises over 14 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 2 times: bars 100 and 108.