99 bars of 4/4 at 138 BPM, about 2:52 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 27, 45 and 47, and 9 more places -- 14.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 20 times: bars 19, 20, 24, 28, 30, 32 and 14 more.
11 more fills are written out on the fills page.
99 bars across 10 sections: 47 keep time, 20 are fills, 7 are stops and 15 are silent. The longest unbroken stretch of time is bars 45-51.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
99 bars, about 2:52 at the written tempo. The course breaks it into 40 exercises over 9 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 20 times: bars 19, 20, 24, 28, 30, 32 and 14 more.