113 bars of 4/4 at 132 BPM, about 3:25 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 13-23, 27-31 and 33, and 5 more places -- 24.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 15 times: bars 51, 53, 55, 62, 80, 88 and 9 more.
2 more fills are written out on the fills page.
113 bars across 15 sections: 61 keep time, 15 are fills, 11 are stops and 10 are silent. The longest unbroken stretch of time is bars 16-23.
132 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
113 bars, about 3:25 at the written tempo. The course breaks it into 37 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 15 times: bars 51, 53, 55, 62, 80, 88 and 9 more.