145 bars of 4/4 at 110 BPM, about 5:17 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 51-57, 59-65 and 115-121, and 1 more place -- 20.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 25 times: bars 30, 38, 42, 46, 49, 50 and 19 more.
8 more fills are written out on the fills page.
145 bars across 11 sections: 99 keep time, 25 are fills, 2 are stops and 9 are silent. The longest unbroken stretch of time is bars 9-25.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
145 bars, about 5:17 at the written tempo. The course breaks it into 41 exercises over 13 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 25 times: bars 30, 38, 42, 46, 49, 50 and 19 more.