129 bars of 8/4 -- not four -- at 145 BPM, 5:48 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 51, 53 and 55, and 13 more places -- 19.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 19 times: bars 9, 13, 17, 21, 25, 29 and 13 more.
4 more fills are written out on the fills page.
129 bars across 7 sections: 58 keep time, 20 are fills, 1 is a stop and 47 are silent. The longest unbroken stretch of time is bars 52-73.
145 BPM, in 8/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
129 bars, about 5:48 at the written tempo. The course breaks it into 31 exercises over 14 sittings, about 22 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 19 times: bars 9, 13, 17, 21, 25, 29 and 13 more.