137 bars of 4/4 at 142 BPM, about 3:44 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 26-35 and 37-40 -- 10.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 16 times: bars 15, 16, 21, 24, 25, 36 and 10 more.
6 more fills are written out on the fills page.
137 bars across 17 sections: 74 keep time, 16 are fills, 28 are stops and 7 are silent. The longest unbroken stretch of time is bars 113-125.
142 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
137 bars, about 3:44 at the written tempo. The course breaks it into 52 exercises over 15 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 16 times: bars 15, 16, 21, 24, 25, 36 and 10 more.