106 bars of 4/4 at 115 BPM, about 3:41 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 29-31, 33-35 and 37-39, and 8 more places -- 28% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 10 times: bars 28, 48, 56, 64, 76, 84 and 4 more.
4 more fills are written out on the fills page.
106 bars across 13 sections: 43 keep time, 10 are fills, 32 are stops and 6 are silent. The longest unbroken stretch of time is bars 6-12.
115 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 25 out of 100; the rest of the number is everything around it.
106 bars, about 3:41 at the written tempo. The course breaks it into 42 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 10 times: bars 28, 48, 56, 64, 76, 84 and 4 more.