59 bars of 4/4 at a walking 79 BPM, 2:59 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10, 13 and 18, and 8 more places -- 25% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 7 times: bars 29, 44, 46, 47, 50, 56 and 1 more.
1 more fill is written out on the fills page.
59 bars across 8 sections: 32 keep time, 7 are fills, 2 are stops and 7 are silent. The longest unbroken stretch of time is bars 8-12.
79 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
59 bars, about 2:59 at the written tempo. The course breaks it into 25 exercises over 7 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 7 times: bars 29, 44, 46, 47, 50, 56 and 1 more.