140 bars of 4/4 at 135 BPM, about 4:09 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 11-13, 15-17 and 19-21, and 3 more places -- 12.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 34 times: bars 14, 22, 30, 34, 35, 36 and 28 more.
6 more fills are written out on the fills page.
140 bars across 10 sections: 90 keep time and 34 are fills. The longest unbroken stretch of time is bars 1-9.
135 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 58 out of 100; the rest of the number is everything around it.
140 bars, about 4:09 at the written tempo. The course breaks it into 43 exercises over 15 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 34 times: bars 14, 22, 30, 34, 35, 36 and 28 more.