169 bars of 4/4 at 145 BPM, about 4:39 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 26-31, 33-38 and 79-84, and 1 more place -- 14.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 21 times: bars 8, 17, 18, 19, 20, 22 and 15 more.
5 more fills are written out on the fills page.
169 bars across 14 sections: 123 keep time, 21 are fills, 12 are stops and 1 is silent. The longest unbroken stretch of time is bars 42-59.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
169 bars, about 4:39 at the written tempo. The course breaks it into 43 exercises over 12 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 21 times: bars 8, 17, 18, 19, 20, 22 and 15 more.