90 bars of 4/4 at a walking 108 BPM, 3:20 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 3, 5 and 9, and 27 more places -- 33.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 20 times: bars 1, 2, 10, 18, 22, 28 and 14 more.
4 more fills are written out on the fills page.
90 bars across 8 sections: 60 keep time and 20 are fills. The longest unbroken stretch of time is bars 83-90.
108 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
90 bars, about 3:20 at the written tempo. The course breaks it into 27 exercises over 7 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 20 times: bars 1, 2, 10, 18, 22, 28 and 14 more.