100 bars of 4/4 at 140 BPM, about 2:46 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 79-81, 83-85 and 87-89, and 3 more places -- 19.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 10 times: bars 5, 6, 11, 12, 13, 45 and 4 more.
1 more fill is written out on the fills page.
103 bars across 13 sections: 56 keep time, 10 are fills, 15 are stops and 11 are silent. The longest unbroken stretch of time is bars 46-52.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
100 bars, about 2:46 at the written tempo. The course breaks it into 42 exercises over 14 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 10 times: bars 5, 6, 11, 12, 13, 45 and 4 more.