92 bars of 4/4 at a walking 77 BPM, 4:44 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 20-22, 24-26 and 36-38, and 4 more places -- 20.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 27 times: bars 1, 2, 3, 13, 15, 17 and 21 more.
14 more fills are written out on the fills page.
92 bars across 9 sections: 50 keep time, 27 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 30-41.
77 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
92 bars, about 4:44 at the written tempo. The course breaks it into 42 exercises over 13 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 27 times: bars 1, 2, 3, 13, 15, 17 and 21 more.