115 bars of 4/4 at 127 BPM, about 3:37 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 17-19, 21-23 and 25-26, and 2 more places -- 12.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 4 times: bars 80, 86, 106 and 114.
115 bars across 14 sections: 82 keep time, 4 are fills and 7 are stops. The longest unbroken stretch of time is bars 89-100.
127 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
80 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 64 out of 100; the rest of the number is everything around it.
115 bars, about 3:37 at the written tempo. The course breaks it into 43 exercises over 18 sittings, about 23 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 4 times: bars 80, 86, 106 and 114.