57 bars of 4/4 at 120 BPM, about 1:54 of playing, on crash, ride, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 1-6 -- 10.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 29 times: bars 7, 8, 9, 10, 11, 12 and 23 more.
2 more fills are written out on the fills page.
57 bars across 7 sections: 21 keep time, 29 are fills and 1 is a stop. The longest unbroken stretch of time is bars 2-6.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 14 out of 100; the rest of the number is everything around it.
57 bars, about 1:54 at the written tempo. The course breaks it into 24 exercises over 8 sittings, about 26 minutes each.
crash, ride, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 29 times: bars 7, 8, 9, 10, 11, 12 and 23 more.