125 bars of 4/4 at 140 BPM, about 3:34 of playing, on crash, ride, hi-hat, snare and kick.
The beat the song is built on is a 2-bar phrase, played through bars 12-14, 16-18 and 23, and 5 more places -- 20.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 5 times: bars 66, 67, 117, 118 and 119.
125 bars across 15 sections: 81 keep time, 5 are fills, 9 are stops and 16 are silent. The longest unbroken stretch of time is bars 29-50.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
125 bars, about 3:34 at the written tempo. The course breaks it into 44 exercises over 16 sittings, about 24 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.
2 fills to learn, played 5 times: bars 66, 67, 117, 118 and 119.