125 bars of 4/4 at 116 BPM, about 4:19 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 25-27, 29-30 and 56-58, and 3 more places -- 12.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 49 times: bars 1, 2, 3, 4, 5, 6 and 43 more.
11 more fills are written out on the fills page.
125 bars across 11 sections: 61 keep time and 49 are fills. The longest unbroken stretch of time is bars 41-51.
116 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
125 bars, about 4:19 at the written tempo. The course breaks it into 54 exercises over 19 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 49 times: bars 1, 2, 3, 4, 5, 6 and 43 more.