140 bars of 4/4 at 115 BPM, about 4:49 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 41-45, 47-49 and 51-59 -- 18.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 16 times: bars 28, 36, 39, 40, 46, 50 and 10 more.
4 more fills are written out on the fills page.
140 bars across 11 sections: 66 keep time, 16 are fills, 2 are stops and 48 are silent. The longest unbroken stretch of time is bars 78-88.
115 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 61 out of 100; the rest of the number is everything around it.
140 bars, about 4:49 at the written tempo. The course breaks it into 35 exercises over 12 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 16 times: bars 28, 36, 39, 40, 46, 50 and 10 more.