222 bars of 4/4 at 144 BPM, about 6:33 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 26-28, 30-31 and 34-37, and 13 more places -- 25.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
15 fills to learn, played 39 times: bars 7, 8, 9, 17, 21, 22 and 33 more.
11 more fills are written out on the fills page.
235 bars across 22 sections: 105 keep time, 39 are fills, 28 are stops and 45 are silent. The longest unbroken stretch of time is bars 104-115.
144 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
222 bars, about 6:33 at the written tempo. The course breaks it into 72 exercises over 18 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 39 times: bars 7, 8, 9, 17, 21, 22 and 33 more.