167 bars of 4/4 at 148 BPM, about 4:31 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17-18, 31 and 33-39, and 13 more places -- 23.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 28 times: bars 14, 15, 16, 24, 40, 52 and 22 more.
6 more fills are written out on the fills page.
167 bars across 16 sections: 104 keep time, 28 are fills and 14 are stops. The longest unbroken stretch of time is bars 2-13.
148 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
167 bars, about 4:31 at the written tempo. The course breaks it into 43 exercises over 12 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 28 times: bars 14, 15, 16, 24, 40, 52 and 22 more.