107 bars of 4/4 at 126 BPM, about 3:24 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 1, 3 and 5-19, and 1 more place -- 29.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 14 times: bars 4, 20, 36, 45, 53, 57 and 8 more.
4 more fills are written out on the fills page.
107 bars across 10 sections: 73 keep time, 15 are fills, 7 are stops and 1 is silent. The longest unbroken stretch of time is bars 5-19.
126 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
107 bars, about 3:24 at the written tempo. The course breaks it into 32 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 14 times: bars 4, 20, 36, 45, 53, 57 and 8 more.