149 bars of 3/4 -- not four -- at 125 BPM, 3:35 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5, 7 and 9, and 31 more places -- 24.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 13 times: bars 4, 36, 38, 46, 60, 61 and 7 more.
4 more fills are written out on the fills page.
149 bars across 15 sections: 70 keep time, 13 are fills, 39 are stops and 12 are silent. The longest unbroken stretch of time is bars 82-96.
125 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 17 out of 100; the rest of the number is everything around it.
149 bars, about 3:35 at the written tempo. The course breaks it into 41 exercises over 10 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 13 times: bars 4, 36, 38, 46, 60, 61 and 7 more.