94 bars of 4/4 at 116 BPM, about 3:12 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 14-15, 19 and 21, and 7 more places -- 16.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 20 times: bars 5, 7, 9, 13, 20, 22 and 14 more.
8 more fills are written out on the fills page.
94 bars across 13 sections: 56 keep time, 20 are fills, 4 are stops and 1 is silent. The longest unbroken stretch of time is bars 29-35.
116 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
85 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 53 out of 100; the rest of the number is everything around it.
94 bars, about 3:12 at the written tempo. The course breaks it into 49 exercises over 17 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 20 times: bars 5, 7, 9, 13, 20, 22 and 14 more.