168 bars of 4/4 at 119 BPM, about 5:36 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 9-10, 12-13 and 23-24, and 6 more places -- 11.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 13 times: bars 8, 31, 33, 51, 55, 80 and 7 more.
8 more fills are written out on the fills page.
168 bars across 19 sections: 111 keep time, 14 are fills, 3 are stops and 16 are silent. The longest unbroken stretch of time is bars 91-105.
119 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
168 bars, about 5:36 at the written tempo. The course breaks it into 59 exercises over 17 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 13 times: bars 8, 31, 33, 51, 55, 80 and 7 more.