129 bars of 4/4 at 124 BPM, about 4:10 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10-16, 50-56 and 82-88, and 3 more places -- 31.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
12 fills to learn, played 21 times: bars 2, 3, 4, 5, 6, 7 and 15 more.
8 more fills are written out on the fills page.
129 bars across 11 sections: 84 keep time, 21 are fills and 15 are stops. The longest unbroken stretch of time is bars 107-120.
124 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
129 bars, about 4:10 at the written tempo. The course breaks it into 41 exercises over 10 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 21 times: bars 2, 3, 4, 5, 6, 7 and 15 more.