75 bars of 4/4 at 125 BPM, about 2:24 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 34, 43-50 and 71-75 -- 24.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 5 times: bars 26, 31, 32, 42 and 67.
75 bars across 12 sections: 43 keep time, 5 are fills, 7 are stops and 17 are silent. The longest unbroken stretch of time is bars 43-51.
125 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 40 out of 100; the rest of the number is everything around it.
75 bars, about 2:24 at the written tempo. The course breaks it into 21 exercises over 6 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 5 times: bars 26, 31, 32, 42 and 67.