67 bars of 4/4 at a walking 78 BPM, 3:26 of playing, on crash, hi-hat, snare, floor tom and kick.
The beat the song is built on is one bar, played through bars 35-39, 52 and 54, and 1 more place -- 16.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 9 times: bars 26, 47, 48, 62, 63, 64 and 3 more.
67 bars across 9 sections: 35 keep time, 9 are fills, 1 is a stop and 13 are silent. The longest unbroken stretch of time is bars 18-25.
78 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
37 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 33 out of 100; the rest of the number is everything around it.
67 bars, about 3:26 at the written tempo. The course breaks it into 28 exercises over 7 sittings, about 29 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
3 fills to learn, played 9 times: bars 26, 47, 48, 62, 63, 64 and 3 more.